“During a memorial service for Michael Asher held in New York, when Prina was invited to talk, he began by taking a pink wallet out of his back pocket and extending his right arm, holding it up for several endless seconds in a pose somehow reminiscent of both Perseus exhibiting the head of Medusa and a soccer referee expelling a player with a red card. While the invocation made at that moment was unquestionably a queer stance, it also impacted me because I suddenly realized that Michael Asher had lucidly and systematically critically detourned all available elements of spatiality and visuality, except for color. I then wondered, how could color be deployed in an Asherian direction?”