Jill Dawsey illustrates the pressing relevance of feminist artist Andrea Bowers’s iconography, built upon lineages of protest, political struggle, and narrative-making for reproductive rights. Through the visceral, material act of drawing, Bowers commands an immediacy in how we must activate history to frame and mobilize our present. The Los Angeles-based artist's first ever museum retrospective surveying over two decades of work is currently on view at the Hammer Museum.