Posts tagged sculpture
Constellations Are Totally Imaginary Things by Claudia La Rocco
When you type “Chris Burden” into Google Images there are no pictures of him smiling. When you type “Chris Burden smiling,” nothing much changes. I mean, there are a few shots. The mechanical gesture doesn’t ever, as far as I can tell, reach past half-face to the eyes. Of course, nobody except a writer doing weird things with Google cares if a man doesn’t smile. It is, as they say, a non-starter.
Artists at Work: Samara Golden by Andrew Berardini
Samara Golden, an “interdimensional artist,” creates boundary-breaking installations—vivid concatenations assembled from psychological states, misremembered architectural interiors, and transitional objects. Utilizing everything from 3D anaglyphic photographs to pantyhose, she dives deeply into the other side of the looking glass and alters reality through simple means.
Inside and Outside at the Same Time by Karin Higa
The visionary looped-metal sculptures of Ruth Asawa (1926–2013) display an unerringly modern alchemy: Asawa transformed ordinary materials into dynamically inscribed space. Educated in a Japanese internment camp during WWII and later at Black Mountain College, she mastered a remarkably fluent understanding of both art and life.
Universal Steel: Mark di Suvero, Occupy Wall Street, and the Artists’ Tower of Protest by Travis Diehl
In 1966, Mark di Suvero’s Artists’ Tower of Protest, created in collaboration with the Los Angeles–based Artists' Protest Committee, became a lightning rod for the anti-war movement. Over the next 50 years, as the tower was dismantled, reconfigured, and re-contextualized, history has had its intractable way with the original work.
Artists at Work: Liz Glynn by Thomas Lawson
I met with Liz Glynn on July 17 in her Chinatown studio to discuss the work she created for the “Made in LA” 2012 biennial at the Hammer Museum this summer. The three-part installation—with multilayered references to Egyptian pyramids, smuggling tunnels into Gaza, and other spiritual and material trade routes, legitimate and not—continues an investigation of the intersection of antiquity and the present that began with her 2008 performance, The 24 Hour Roman Reconstruction Project, in which she invited people to help her build and then destroy a cardboard model of ancient Rome.