Sula Bermúdez-Silverman is a multidisciplinary artist whose work uses assemblage, sculpture, and videography to interrogate economic, racial, religious, and gendered systems of power. Her current exhibition at the California African American Museum of Art, Neither Fish, Flesh, nor Fowl, combines found objects with dollhouses made of sugar, exploring the artist’s ancestral connection to Puerto Rican sugar plantations and the crop’s relationship to invisible economic powers. Her exhibition at Murmurs Gallery in downtown Los Angeles, Sighs and Leers and Crocodile Tears, is also currently on view.