...right, our politics, with us. We carry our complaint. Just because we have gone home, we don’t start over. We carry our individual histories, and memories of our time inside...

...first time but the commercial jetty… you saw how it goes way, way out into the lake and then kind of curves a little at the end. DH: So you...

...the plans to retain an outside consultant were delayed. After much stalling, David Vance, who worked as associate registrar at MOMA, was brought in as consultant. In his report, Vance...

...at the end of 1960, and he had some involvement with the art community in Los Angeles. He was at that time a practicing CPA, and some of his clients...

...insurance in a time of chronic unemployment. That, I think, is the trouble of the gay rights movement right now—it’s largely interested in gaining access to the institutions that already...

...really diverse community of artists. There were photographers, script writers… Nancy was a painter and my wife at the time — we got married while we were there — and...

...a huge CRA-funded, four-theatre complex on Spring Street. During this time, I honed my design skills in part with the help of the Woman’s Building’s WGC (Women’s Graphic Center) in...

...terms of the structure, Judy brought about fifteen students together. We had to make a major commitment of time and money. That is, we could take anywhere between three and...

...the 1960s was a cultural moment, a time when people were really trying to reinvent the way they lived. They chose a suburb that was an intentional community, in many...

...& Upside Down: Posters from CalArts 1970-2019,” Photo: Brica Wilcox, Courtesy of REDCAT Tasheka Arceneaux-Sutton is an Associate Professor of Graphic Design at Southeastern Louisiana University and faculty in the...