Posts tagged 1990s
Still: Amy Adler by Jordan Karney Chaim
Since the 1990s Amy Adler has used film stills and photographs (her own as well as found) as the basis for her work, methodically drawing the existing images, most often in pastel. In the careful construction of her compositions, she stages scenes that buzz with a dynamic charge, even when depicting only a single figure. Jordan Karney Chaim examines Adler’s career, and its evolving relationship with images over decades.